Chris Brown Heart Break on a Full Moon: Cuffing Season Track List
2017 studio album by Chris Brown
| Heartbreak on a Full Moon | ||||
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| Studio album by Chris Brown | ||||
| Released | October 31, 2017 | |||
| Recorded | 2015–2017 | |||
| Studio | Various
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| Genre |
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| Length | 158:33 | |||
| Label |
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| Producer |
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| Chris Brown chronology | ||||
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| Deluxe edition cover | ||||
 Cuffing Season: 12 Days of Christmas | ||||
| Singles from Heartbreak on a Full Moon | ||||
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Heartbreak on a Full Moon is the eighth studio album by American singer Chris Brown. The album is a double-disc, consisting of 45 tracks, and was released digitally on October 31, 2017, and onto CD three days later by RCA Records.[2] Brown for the album worked with several producers, including Prince Chrishan, A1, Boi-1da, D. A. Doman, Scott Storch, Amadeus and many others. The album also features some guest appearances by urban artists, including R. Kelly, Usher, Gucci Mane and Future. Recording sessions for Heartbreak on a Full Moon took place between the end of 2015 and August 2017.[3]
Heartbreak on a Full Moon is an R&B album, containing songs with different influences from other genres as well, predominantly from hip hop, alternative R&B, trap and dancehall. Its sound has been described for the most part as dark and soulful.[1] The songs on the album display every emotional aspect, and what's been on the singer's mind, following an heavy-hearted breakup. Its themes include regret, love transforming into hate, the difficulty in managing emotions, the impossibility of getting over someone, and how a reckless lifestyle can't numb the pain of a heartbreak.[1] Its lyrical content was inspired by Brown's breakup with Karrueche Tran, happened in 2015 after they both discovered that the singer accidentally had a daughter with another woman. Although Brown was able to convince RCA Records of the album's length, they were initially hesitant.[3]
The album received widespread acclaim from music critics, that celebrated Brown's performances, the record's lyrical content, its concept, its length and its variety, considering it as one of the most ambitious albums of its time. The album was defined by many as one of the best ones in Brown's catalogue.[1]
One week after its release Heartbreak on a Full Moon was certified gold by the Recording Industry Association of America for combined sales and album-equivalent units of over 500,000 units in the United States, and Brown became the first R&B male artist that went gold in a week since Usher's Confessions in 2004.[4] The album has been certified Double Platinum by the Recording Industry Association of America (RIAA).
The album was anticipated by numerous snippets, that hyped the project's release since early 2016, by six official singles; including "Grass Ain't Greener", "Party", "Privacy", "Pills & Automobiles", "Questions", and "Tempo", and the promotional singles "High End" and "Hope You Do".
Background and recording
The theme of the album was inspired by the singer's breakup with Karrueche Tran, happened in March 2015 after they both discovered that he accidentally had a daughter, named Royalty Brown, with another woman, named Nia Guzman. Brown, after dedicating his seventh studio album Royalty to his daughter, decided that he wanted to make an album that developed over the subject of his heartbreak caused by his breakup with Tran.[5]
Brown started working and recording tracks for the album a few weeks before the release of Royalty, in late 2015. He continued working on the album during 2016 and 2017, also during two tours, the European leg of the One Hell of a Nite Tour and The Party Tour. Brown also built a recording studio inside of his house to record songs for the album.[6] [7] [8] The recording sessions mostly took place in Los Angeles and New York City. The only record of the album that has been made before its actual making is the track "Bite My Tongue", which dripped over from his previous album Royalty. The recording of the album eventually ended in August 2017, with "Rock Your Body" being the last one made for the project.[3]
Brown (left) and mixing engineer Patrizio Pigliapoco (right) in June 2016 working on the album
The singer, while working on the album, realized that he had done too many songs that he thought were quality records that followed perfectly the narrative of the album to make a 15/20 track album, so he decided that he wanted to take it to the next level by working it as a 40-track album.[3] RCA Records, the record label of the singer, initially wasn't agreeable of satisfying Brown's intentions to make a 40-track album, thinking that it would've damaged its commercial performance, but the singer ended up convicing them.[3] Brown said about the album that he wanted to "outdo expectations" and "push the boundaries on artistry". Musically, the intention for the album was to explore different genres and styles, keeping a dark R&B sound that could've displayed Brown's performing malleability.[9] The singer involved over 50 producers, including A1, Amadeus, Prince Chrishan, Scott Storch, D.A. Got That Dope, Hitmaka and OG Parker, to work on the album, and develop its sound.[10] Lyrically, the singer wanted to talk about "all the aspects that were going on in my life, during the complex period that i was living", declaring, during an interview with Nessa in November 2017, that "the subject matter and the substance behind it had to be sometimes clever and thoughtful, and sometimes fun and reckless" to let the music be "an embodiement of the person that i am now".[9]
He explained the concept for the album in August 2017 during an interview for Complex. saying:
I thought Heartbreak on a Full Moon was a depiction of what my soul wanted to say. It's funny because we're doing a double album. I've done so many records, but all of the records, to me, are personal favorites and I feel like it gets what I want to say across. It gives a vibe. You get nostalgia or you get a sense of individuality.[11]
Brown said during an interview for radio Hot 97 that, in contrast to his precedent album Royalty which he described as a "representation of where i was in my life at that point", Heartbreak on a Full Moon would be his "artistry album", saying that the album would be his most personal one as well,[12] explaining its lyrical content, saying:
While making this album i was everything, i was ashamed, embarrassed, selfish, hateful, vindictive, but also sweet, loving, caring, vulnerable. I was sensitive. So on Heartbreak on a Full Moon i wanted to give my heart on my sleeve, depicting every single aspect of what i felt. Doing it through my art, i really had to push my creativity, i pushed myself to create the best story i could, with the most open introspections, using every face of my capabilities as an artist[9]
The singer said that his favorite record off the album is its last one, "Yellow Tape", stating that it was recorded at 8 in the morning, after a sleepless night of heavy partying, when he ended up alone in his studio. He described the song as a "reflection record about his worst struggles".[9]
Artwork
The cover art for the album was announced on October 5, 2017.[13] It consists of a pink moon with a graphic of an actual bleeding heart organ on top of it, with its blood that dripping becomes ink.[14] The pink moon represents the themes of the album, which are predominantly directed to girls, in breakup, love and sex songs, while the blood-dripping human heart, with the blood that dripping becomes ink, represents the raw heartbroken feelings of the singer, that are poured into the lyrics of the majority of the album.[15] The creator of the artwork is unknown. The cover art for Heartbreak on a Full Moon is Brown's first artwork where the singer does not appear directly.[9]
Ebbiana of The Source praised the cover for being "very creative" and "meaningful in its details".[16] Aron A. of HotNewHipHop noted that the artwork "matches perfectly the album's vibe". ABC News's Randy Holmes, commended its drawing style, saying that the "anatomically-correct heart looks as though it was just ripped out of someone's chest".[17] Capital Xtra's Gayle Blewnsky said that the cover is "cartoon-esque" and "sinister".[18] A reviewer for Rap-Up noted that the cover art "showcases a new aesthetic for Brown" describing it as "Halloween-ish".[19]
Music and lyrics
| | A sample of "This Ain't", where the singer expresses his impossibility to find true love with another woman following his heartbreak. A sample of "Pull Up", featuring a "horror-themed" melody, and lyrics about having sex being under the influence of cocaine. |
| Problems playing these files? See media help. | |
Heartbreak on a Full Moon is an R&B album, with a sound that has been described by critics as "dark" and "soulful", with songs like "Lost & Found", "This Ain't", "Nowhere" or "Paradise" representing it. The production and melody of some songs was noted for being "horror-themed", in songs such as "Pull Up", "Party", "Sensei" or "High End".[20] The album, keeping its sole sound, includes songs with different musical directions and influences, mainly from hip-hop, but also from dancehall ("This Way", "Confidence", "I Love Her", "Rock Your Body", "Questions"), trap ("Sensei", "Pills & Automobiles", "High End"), soft rock ("Enemy", "No Exit"), and pop ("Bite My Tongue", "If You're Down", "Frustrated").[21] Brown performances on the album often switch from his R&B singing to his rapping.[22] Rolling Stone reviewer Joseph Dankworth stated that its long length allows its "diversity of styles" to "characterize sonically the different feelings of the album to the fullest", also helping the singer to express in a circumstantial way the "burdens and nuances of everyday life while living in pain of his emotions deriving from heartbreak".[23]
The songs on the album are characterized by their "sentimental", "sultry", "personal" and "explicit" songwriting,[1] showing every emotional aspect of what's been on the singer's mind after an heavy breakup.[22] Its themes include remorse, love transforming into hate, internal conflict and the impossibility of getting over someone, while depicting the singer's try to escape his sorrows through a reckless lifestyle full of sex with multiple women, parties and drugs, then realizing how that behaviour can't numb the pain of his heartbreak. The album also has a couple of episodes where the singer faces themes of police brutality and dark side of fame.[22] According to Andy Kellman of AllMusic, the character portrayed by Brown on Heartbreak on a Full Moon "often mood swings from playboy-hedonistic to sweet-romantic to scorned-acidic to sorrowful-heartbroken".[20] Analyzing its lyrical content Prezzy of The Boombox said that "throughout the first disc the singer tries to exorcise the demons of love lost, while on the second one he mostly pours out the torments of his heartbreak".[1] Vulture's writer Craig Jenkins found the sexual content of various songs of the first half of Heartbreak on a Full Moon to be "loaded with raunchy invitations for sex" and filled with "X-rated" subjects like "sex in hallways, drunken hookups, and girls who mix cocaine and painkillers.[22] Vice 's Michael Evans found some of the songs where the singer faces "lovesickness, regretful apologies, self-medicating his heartbreak with drugs and sex, and suicidal thoughts" to be "the highest point of vulnerability in Brown's career".[24] Jenkins wrote that the "breakup tracks' intensity" is elevated by "shattered, jilted reflection and hot yearning" trasmitted through Brown's "pleading tenor voice".[22]
Songs
The lyrical content of the album starts with the opening track "Lost & Found", branching out in a plot that poetically and explicitly explains the bitter pain of the heartbreak caused by a woman dependent on the good life, being sung in perspective to the direct interested.[22] The production of the song is dominated by a slow chord of a warm and atmospheric bass, accompanied by maliconic guitar chords and sporadic percussions. Brown's vocals in the song are proportioned to the emotion of the lyrics, by having a melancholic intonation in the first verse, becoming more demanding and aggressive in the second, ending with a third verse rapped in an auto-tuned aggressively sad way, where the voice effect suggests the absence of sobriety of the singer on whom his heavy words depend.[25] Throughout the album the lyrics depict the pain of the singer reflected on his thoughts and feelings, and how he tries to escape it with parties, sex and drugs.[22] On the hip hop-influenced songs "Everybody Knows" and "Hurt the Same", the singer angrily accuses the woman he loved for being insensitive and ungrateful, making straightforward references to his relationship with Tran. He humbly apologizes to her ex-girlfriend for his actions that hurted her on songs like "Enemy", "Tough Love" and "Even", sadly reminiscing the best moments passed with her. On tracks like "Privacy", "To My Bed", "Covered In You", "Tell Me What to Do" and "Rock Your Body" he tells sexual adventures, approaching women in sultry ways.[20]
| | A sample of Brown's "soulful" vocals on "Nowhere", where he painfully reminisce on his past relationship. |
| Problems playing this file? See media help. | |
On the mournful "This Ain't" the singer tries to have a love relationship with another woman, but realizes that their relationship is just sex with no love involvement. On tracks like "Sip", "Hope You Do", "Pull Up" and "Pills & Automobiles" he finds himself in intimate situations with girls, being under the influence of alcohol or drugs.[22] [26] "Nowhere" is a soul-tinged song where he expresses his impossibility of getting over his ex-girlfriend.[20] On the dancehall pop track "If You're Down" he asks his loved one to turn her back on the complicated and frustrating things in life and instead decide to live in the moment with him embracing each other. On "Paradise" he looks back at the relationship with his ex-girl admitting that he treated and loved her the wrong way, understanding how he took her and their relationship for granted, and now that she left him, he's alone crying and desperately hoping to get her back, realizing that being with her was equal to living in paradise.[22] "Run Away" is a story of two people in love that try to escape from police brutality. The whole song is response to police's violence aimed at unarmed African-Americans in the United States, that also makes a reference to the "Hands up, don't shoot" slogan that was created after the shooting of Michael Brown.[22] On the cheerful "This Way" the singer thanks his ex girlfriend for leaving him when he wasn't ready for the relationship to cease, because now he has found happiness in having sex with multiple girls every night.[20] After all the details of what's been on his feelings and what he's done after his breakup, on the last track, "Yellow Tape", he reflects on how he can't handle no more his pain, and how he's tired of his excessive lifestyle full of fake emotions that can't numb his heartbreak, ending up killing himself.[20]
Release and promotion
On January 10, 2016 Brown had previewed 9 unreleased songs during a live on Periscope, "This Way", "Who This", "This Ain't", "Reddi Wip", "Escape Your Love", "Bite My Tongue", "45", "Fuck Me Up" and "Undress" showing him dancing and lip-synching these songs in the studio. The same day he previewed parts of the song "Grass Ain't Greener" on Instagram[27] [28] [29] [30] Later in January, February and March 2016, he released videos on his Instagram profile where he was lip-synching snippets of the unreleased songs "Lost and Found",[31] "Sip", "Notice"[32] and "Dead Wrong".[33] [34] [35] In late February and March he performed some of the previewed songs live during his club performances in Barcelona and Madrid.[36] [37] On April 27 through Twitter, he announced the European leg of his One Hell of a Nite Tour, the documentary Welcome to My Life, his collaborative mixtape with his OHB group Before the Trap: Nights in Tarzana, and the release of a new single on May 5.[38] [39] [40] On May 3 he revealed that the single would be the already previewed "Grass Ain't Greener", showing its cover art and announcing it as the first single from a new album titled Heartbreak on a Full Moon.[41] The single was released on May 5, 2016, the day of Brown's 27th birthday, but it was originally not included on the album's first announced track listing, then it was re-included on the official tracklist as a bonus track when the album was available for pre-order.[42] Later that month he previewed the song "Frustrated" by performing it at some clubs.[43]
On July 7, 2016, after 2016 shooting of Dallas police officers, Brown released for free on his SoundCloud page two piano ballads, "My Friend" and "A Lot of Love", saying that the songs are "released for free for anybody dealing with injustice or struggle in their lives".[44] [45] On August 31, 2016, less than 24 hours after being released from jail on charges of suspicted assault with a deadly weapon, Brown released on SoundCloud the song "What Would You Do?".[46]
In November and December 2016, he released videos on his Instagram profile where he was lip-synching snippets of other unreleased songs: "Surprise You", "I See You", "To My Bed", "Classic You",[47] "Technology",[48] "Post & Delete",[49] [50] "Secret",[51] and "Yellow Tape".[52] [53] On December 16, 2016, he released the second official single from the album, "Party", that features guest vocals from American R&B singer Usher and rapper Gucci Mane. The single received great success, being certified double platinum by the RIAA. On January 4, 2017 Brown had previewed two snippets on his Instagram profile of the songs "Privacy" and "Tell Me What to Do". On January 22 he posted videos of himself lip-synching two long snippets of "Sirens". On January 26, Brown shared other two snippets on his Instagram profile of the songs "Jiu Jitsu" and "Tempo".[54] In February announced that "Privacy" would have been released as the next single from the album.[55] The single was released on March 24, 2017, and it received an excellent response from his core audience, ending up being certified double platinum by the RIAA.[56] Later in April he previewed the songs "Flex On You" and "I Love Her", playing them in some club appearances[57]
The initial track listing of Heartbreak on a Full Moon was announced by Brown on his Instagram account on May 2, 2017, saying that it would be a double-disc album of 40 tracks, and that it would be released in June 2017.[58] On May 11 he released for free on SoundCloud a collaboration with rapper Nas called "Die Young", where they pay homage to the people who've lost their lives too soon in the streets, while also making a strong political statement in the process.[59] On June 10, in short videos that showed the working of the official photoshoot for the album, snippets of the songs "Daylight Savings" and "Hangover" were shared on social media.[60]
In the first days of June 2017 46 songs discarded from Brown's recent past works, and even some rejected tracks from "Heartbreak on a Full Moon", were leaked, most of them were unfinished versions while few were demos supposed to be for other artists.[61] [62] On June 7, 2017, during the interviews at the premiere of his own documentary, Welcome To My Life, Brown announced that the album release date was posticipated to midsummer. Later that same month he released a video on his Instagram account of himself in the studio playing a snippet of the song "On Me", captioning it with "album or nah?".[63] [64]
In July 2017 he announced the pending release of upcoming singles from his album.[65] Later on August 4, 2017, he released the album's fourth single "Pills & Automobiles", that features guest vocals from American trap artists Yo Gotti, A Boogie Wit Da Hoodie and Kodak Black.[66] Then on August 14, 2017 he announced the release of the fifth official single from the album, "Questions", on August 16, announcing the album release date, saying that it would be released on October 31, 2017.[67] On September 10, the illegal website MusicMafia, composed by an hackers group, leaked the song "To My Bed", officially announced to be on the album, on their website, after reaching 500.000 clicks of request for the song following their teaser for it.[68]
In the run up to the album's release, on October 5, 2017, Brown unveiled the official artwork on his Instagram profile, sharing a video with an animated cartoon-style visual of a blood-dripping human heart set against a pink full moon, with a snippet of the song "Heartbreak on a Full Moon" in the background.[13]
On October 13, 2017 Brown released the promotional single "High End", that features guest vocals from American trap artists Future and Young Thug, announcing the final tracklist of the album.[69] [70] On October 19, the singer released 3 songs from the album, "Confidence", "Tempo" and "Only 4 Me", as an anticipation for the close release.[71] On October 25, Brown organized with Tidal a free pop-up concert in New York City to perform the singles of the album and promote it for his core fans.[72] The day after he released other 3 songs to anticipate the album, "Everybody Knows", "Hope You Do" and "Pull Up". A couple days before the dropping of the album, Brown partnered with Spotify's Rap Caviar for a special segment where he painted the album's cover, mostly from dancing around the canvas.[73]
Heartbreak on a Full Moon was released digitally on October 31, 2017, and onto CD three days later by RCA Records. The album, after its release, gained lots of attention and headlines from numerous specialized and not-specialized journalistic newspapers and blogs.[74]
On December 13, 2017 he released a 12-track surprise deluxe edition of the album called Cuffing Season – 12 Days of Christmas as a Christmas present for his fans. The deluxe edition is made off Brown's favorite leftovers of the album and few holiday-themed songs.[75] [76]
Tour
On March 27, 2018, Chris Brown announced an official headlining concert tour to further promote the album titled Heartbreak on a Full Moon Tour. The tour began on June 19 in Auburn, at White River Amphitheatre. The opening acts for the tour were 6lack, H.E.R., Rich the Kid, and Jacquees.[77] The tour included 27 shows and ended on August 4, 2018.[78]
Critical reception
| Review scores | |
|---|---|
| Source | Rating |
| AllMusic |   [20] |
| Complex | [79] |
| Driftwood | [80] |
| HipHopDX | 3.1/5[81] |
| Vulture | [22] |
| Rolling Stone |  [23] |
| The Boombox | [1] |
| The Register-Guard | [21] |
| Vice | A[24] |
The album was widely acclaimed from critics. Rolling Stone reviewer Joseph Dankworth said that on the album "Brown digged deep into his most private thoughts, primarily the most uncomfortable and hidden ones, for an outstanding album that much likely won't be topped by any of his subsequent publications".[23] Vice 's Michael Evans found "Rock Your Body", "You Like", "No Exit", "Paradise" and "Tough Love" to be its best moments, writing that "Usually Chris Brown is at his best when he sings about falling in or out of love. The lyrics are more poetic and powerful than when he sings about clubbing or sex. On this album whatever he sings, he blasts, if he's on an heartbroken song he pours his heart out, and if it's a druggy nasty sex song, you gon' feel the rockstar life".[24] Craig Jenkins of Vulture said that the album is "one of the most ambitious albums of his era", implying that "the album's first disc mixes peppy, dirty sex jams with moody revenge anthems that engage some of Brown's most disputed tendencies as a performer, while the second reckons more humbly with depression".[22] The Register-Guard 's Melanie Sims praised the amplitude of genres on the album saying that "Brown's sound has always been the sum of varying genres, each one sending him to the top of one chart or another. That said, with Heartbreak on a Full Moon, Brown performs like a one-man streaming service, and he's got hits on every channel", also finding the record to be "introspective" and "deep".[21] HipHopDX editor Scott Glaysher called the album "incredibly long", praising the "mesmerizing horror-themed sound" of some of the album's songs, like "Pull Up" and "Sensei".[81]
AllMusic editor Andy Kellman called Heartbreak on a Full Moon "artistically conservative", ending up saying "There's depth, though it does require sifting. Among the better deep cuts is "Yellow Tape." A lurid rumination on the downside of fame, its foreboding hook has a lingering effect lasts almost as long as the album itself".[20] Ariell Reed from Driftwood wrote that the album is "a painting as raw as charming of his journey through pain", praising Brown's performances and its lyrical production, stating that with the project "Brown has outdone every expectation".[80] The Boombox's editor Prezzy praised the sound of the album, defining it as "a dark passionate mood", as well as its length, saying that "in an age where attention spans are shorter, simply having the gall to entertain creating an album with 40 songs on it takes a certain amount of gall, but Chris Brown defies the odds with Heartbreak, an album that manages to maintain its high-quality despite the sheer quantity of music", stating that Heartbreak on a Full Moon "will go down among the most ambitious albums of its time".[1] Cultural critic and media personality Joe Budden said, in his review for Complex, "This album has hypnotized me. If i found its initial 11 tracks as enjoyable jams, from "Everybody Knows" on the real spirit of Heartbreak gets sharper, and the album becomes one of the greatest things ever happened to R&B music. This album is unmatchable".[79]
Commercial performance
Despite being counted for only three days of digital and streaming sales, because of its release in the middle of the chart's tracking week, Heartbreak on a Full Moon debuted at number three on the US Billboard 200, becoming Brown's ninth consecutive top 10 album on the chart, after selling 68,000 copies and earning 220,000 album-equivalent units within three days.[82] The album was Brown's seventh solo album to debut at number one on the Billboard Top R&B/Hip-Hop Albums chart.[83] On November 8, 2017, Heartbreak on a Full Moon was certified gold by the Recording Industry Association of America for combined sales and album-equivalent units of over 500,000 units in the United States. Brown became the first R&B male artist that went gold in a week since Usher's Confessions in 2004.[4] In its second chart week, the album remained at number three on Billboard 200, with 110,000 copies and earning 280,000 album-equivalent units.[84] In Australia, it entered the ARIA Albums Chart at number five, becoming his first top ten in the nation since X in 2014.[85] In the United Kingdom, the album debuted at number 10 on the UK Albums Chart, Brown's sixth non-consecutive top 10 album on the chart. The album was eventually certified Silver by the British Phonographic Industry (BPI) for sales of over 60,000 copies in the UK.[86] In New Zealand, the album debuted at number three on the RMNZ Albums Chart, giving Brown his seventh top ten album on the chart.[87] Until June 2018, the album has accumulated over 3 billion streams worldwide.[88]
The good commercial performance of the album was based on streaming, as explained by Forbes
With 45 songs on its tracklist, Heartbreak on a Full Moon stands to collect quite a hefty sum in regards to streaming equivalent albums. Instead of 150 people listening to a ten-song record all the way through counting as one, Brown only requires about 33 people to hang on through the entire project. That's asking a lot, but it's not out of the question. Between his biggest fans and those who will put the piece on and let it fade into the background, it's highly possible that many thousands of people will stream the album in full, and those numbers will add up quickly.[89] [90]
By the end of 2017, the album has sold over 900,000 album-equivalent units in the US, with over 330,000 being pure sales, it finished as the country's 26th-most overall consumed album of the year.[90]
In 2018, Heartbreak on a Full Moon the album has sold over 950,000 album-equivalent units in the US, with over 250,000 being pure sales, it finished as the country's 21th-most overall consumed album of the year, and was ranked as the 15th most popular album of the year on the Billboard 200.[90]
Legacy and influence
Heartbreak on a Full Moon has been credited with paving the way for urban artists, such as Drake (left) and Kanye West (right), to make lengthier bodies of work, also inspiring them through its songwriting.
The album's form was noted for changing notably the way urban albums were conceived, and several artists cited its songwriting and concept as an inspiration for their work. Rolling Stone credited the album for being "the album that marked the revival of double discs for urban artists", stating that "the unorthodoxy of its leghth summed with its high-quality and commercial success immediately changed the form of hip hop and R&B albums. What was unseen became nearly standard vision right the following year of Heartbreak on a Full Moon 's release, with albums like Drake's Scorpion, Migos' Culture II and Rae Sremmurd' SR3MM clearly copy-pasting Heartbreak 's form".[91] [92] In 2021, Jessica Mckinney of Complex wrote that "the courage contained in Brown's long R&B masterpiece pumped up, for better or for worse, the ambition of black artists. the album officially signed a characteristic in todays hip hop, and that is proved by the fact that years have passed since 2017, and we're still getting albums like Lil Uzi Vert vs. the World 2, Pegasus and Funeral with tracklist filled with more than 30 songs. But Heartbreak still seems to be the only one with that length worthy of being called a classic".[93] Pitchfork suggested that "considering Brown's affection to rap, the album's shape might have been thought as an exaggeration of what classic albums like Speakerboxxx/The Love Below or All Eyez on Me were, or maybe he took it from something like Prince's Emancipation, but surely none of the album that likely inspired its structure changed albums' physique the way Brown's album did".[94]
Its musical style inspired various artists through its songwriting and dark sound. Some of the singers that cited the album as an influence for their work were Kanye West, August Alsina, 6lack, Yung Bleu, H.E.R., T-Pain, Bryson Tiller and Billie Eilish.[95] [96] [97]
Track listing
Production credits were adapted from RCA's official website.[98]
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Lost & Found" | Christopher Brown |
| 4:01 |
| 2. | "Privacy" | Brown |
| 3:40 |
| 3. | "Juicy Booty" (featuring Jhené Aiko and R. Kelly) |
|
| 4:33 |
| 4. | "Questions" |
|
| 2:09 |
| 5. | "Heartbreak on a Full Moon" | Brown |
| 4:06 |
| 6. | "Roses" |
|
| 3:24 |
| 7. | "Confidence" |
|
| 2:57 |
| 8. | "Rock Your Body" | Brown |
| 2:42 |
| 9. | "Tempo" | Brown |
| 3:38 |
| 10. | "Handle It" (featuring Dej Loaf and Lil Yachty) |
|
| 4:41 |
| 11. | "Sip" |
|
| 3:17 |
| 12. | "Everybody Knows" | Brown |
| 3:08 |
| 13. | "To My Bed" |
|
| 4:33 |
| 14. | "Hope You Do" |
|
| 4:41 |
| 15. | "This Ain't" |
|
| 2:58 |
| 16. | "Pull Up" |
|
| 2:22 |
| 17. | "Party" (featuring Gucci Mane and Usher) |
|
| 3:40 |
| 18. | "Sensei" (featuring A1) |
|
| 2:36 |
| 19. | "Summer Breeze" |
|
| 4:00 |
| 20. | "No Exit" | Brown |
| 3:20 |
| 21. | "Pills & Automobiles" (featuring Yo Gotti, A Boogie wit da Hoodie and Kodak Black) |
|
| 4:52 |
| 22. | "Hurt the Same" | Brown |
| 3:29 |
| Total length: | 78:47 | |||
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "I Love Her" | Brown |
| 2:18 |
| 2. | "You Like" |
|
| 2:26 |
| 3. | "Nowhere" | Brown | Mel & Mus | 3:13 |
| 4. | "Other Niggas" |
|
| 2:59 |
| 5. | "Tough Love" | Brown |
| 4:04 |
| 6. | "Paradise" | Brown |
| 3:49 |
| 7. | "Covered in You" | Brown |
| 3:22 |
| 8. | "Even" |
| Laney Stewart | 3:59 |
| 9. | "High End" (featuring Future and Young Thug) |
| Richie Souf | 3:22 |
| 10. | "On Me" | Brown |
| 2:32 |
| 11. | "Tell Me What to Do" | Brown |
| 3:26 |
| 12. | "Frustrated" | Brown |
| 3:14 |
| 13. | "Enemy" |
|
| 3:46 |
| 14. | "If You're Down" |
|
| 3:21 |
| 15. | "Bite My Tongue" |
|
| 2:58 |
| 16. | "Run Away" |
|
| 4:10 |
| 17. | "This Way" | Brown |
| 4:02 |
| 18. | "Yellow Tape" | Brown |
| 4:41 |
| Total length: | 61:42 | |||
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 19. | "Reddi Wip" |
|
| 4:28 |
| 20. | "Hangover" | Brown |
| 2:46 |
| 21. | "Emotions" |
| Billboard | 2:22 |
| 22. | "Only 4 Me" (featuring Ty Dolla Sign and Verse Simmonds) |
|
| 5:07 |
| 23. | "Grass Ain't Greener" |
| Nikhil | 3:21 |
| Total length: | 79:46 | |||
| No. | Title | Writer(s) | Producer(s) | Length |
|---|---|---|---|---|
| 1. | "Don't Slow Me Down" |
|
| 2:32 |
| 2. | "On Purpose" (featuring Agnez Mo) |
| Bell | 2:47 |
| 3. | "Hands Up" |
|
| 2:27 |
| 4. | "Same Shit" | Brown |
| 4:09 |
| 5. | "Trust Me" | Brown |
| 3:26 |
| 6. | "Let Shit Go" |
|
| 2:56 |
| 7. | "I Wanna" |
| A1 | 2:35 |
| 8. | "Water" |
|
| 4:07 |
| 9. | "Yoppa" (featuring Trippie Redd) |
|
| 3:03 |
| 10. | "Get Off" | Brown |
| 3:16 |
| 11. | "This X-Mas" (featuring Ella Mai) |
|
| 4:09 |
| 12. | "Secret" (featuring Solo Lucci) |
|
| 3:55 |
| Total length: | 39:22 | |||
Notes
- ^[a] signifies a co-producer
- ^[b] signifies an additional producer
- ^[c] signifies an uncredited co-producer
Sample credits
- "Privacy" contains an interpolation of "Tight Up Skirt", performed by Red Rat.
- "Juicy Booty" samples "Cutie Pie", performed by One Way, and contains an interpolation of California Love (Remix) performed by Tupac Shakur, Dr. Dre and Roger Troutman.[99]
- "Questions" contains an interpolation of "Turn Me On", performed by Kevin Lyttle.
- "To My Bed" contains an interpolation of "Nice & Slow", performed by Usher.
- "Hope You Do" samples "Where I Wanna Be", performed by Donell Jones.[100]
- "Even" contains an interpolation of "Remember the Time", performed by Michael Jackson.
- "Frustrated" contains an interpolation of "Brazilian Rhyme (Beijo Interlude)", performed by Earth, Wind & Fire.
- "This Way" contains an interpolation of "Rosa Parks", performed by Outkast.
Personnel
Credits for Heartbreak on a Full Moon adapted from Allmusic.[101]
|
|
Charts
Certifications
See also
- List of Billboard number-one R&B/hip-hop albums of 2017
- List of Billboard number-one R&B/hip-hop albums of 2018
- List of UK R&B Albums Chart number ones of 2017
References
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Chris Brown Heart Break on a Full Moon: Cuffing Season Track List
Source: https://en.wikipedia.org/wiki/Heartbreak_on_a_Full_Moon
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